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Thomas C. Chung, Pan Patat

Pan Patat / Sweet Potato Bread

As part of his project for the 2015 Ghetto Biennale, the Australian artist Thomas C. Chung prepared Pan Patat, a not overly sweet dessert that he describes as “half-pudding, half-bread.” On several occasions, with various local collaborators, he made and served large batches of this dish. It was a kind of community-building exercise and a rejoicing in the shared experience of eating that very much aligned with the hosts' intentions in asking visitors to the Radyo Shak to choose and explain a recipe.

Atis Thomas C. Chung, ki soti Ostralya, ap bay yon reset pou Pan Patat, yon pla k li te prepare avek kolaborate ayisyen nan la Gran Ri. Reset sa-a se sel reset nan seri reset Radyo Shak ki nan angle.

Ingredients for Thomas C. Chung’s Pan Patat:
8 pounds Sweet Potatoes
1 Coconut
Evaporated Milk
Brown Sugar
Stick Butter

Step us through the process. Once you’ve gotten your ingredients together, how does it go?

We start with the peeling of the sweet potatoes, which works with the proverb I’m dealing with in my project, “in times of famine, sweet potatoes have no skin,” so the fact that we are peeling them off is just recognizing the state we’re in. We do that, we grate the sweet potatoes once the skins are all peeled, we grate that all to a very fine mush. We move on to the coconut. We crack it open, we take out the meat, we grate the coconut, we squeeze out the coconut to get the coconut milk, then we just mix all the other ingredients I mentioned before, and we bake it.

Tell us about cooking times and temperatures, or are those things meaningless in this context?

I think in this context it’s very flexible, it depends on each person’s oven or stove. We once went to a bakery to ask them if they would bake it but they rejected our “day of” baking.

The people here that you’ve served it to, how have they reacted to it? Is it familiar, or astonishing?

So, in that sense, I’ve asked the elderly artists here to give me their opinion, which is the most valuable, because they understand what it really tastes like, and they’ve given me the A-OK and the big thumbs up!


Ghetto Biennale: Radyo Shak


Radyo Shak was the independent broadcast voice of the Ghetto Biennale of Haiti, hosting freeform radio including Rara bands, locals, artists and writers, and Haitian revolutionary history. 

Geto Byenal: Radyo Shak (Kreyol)


Radyo Shak se vwa lakou Geto Byenal 2015 lan. Nan yon ti shak sou la Gran Ri kote Atis Rezistans, Radyo Shak te difuze tout sa kap fet pandan Byenal lan ant Desamb 10 jiske 21. Direkte Pwogram yo, Richard Fleming, avek Direkte Pwoje sa-a, Jake Nussbaum te animate tout kalite radyo nan zon sa-a, tan kou anrejistreman misisyen rara yo, iantevu avek moun nan zon nan, atis, ekrivan, infomasyon sou tout pwoje yo, histwa revolusyone d’Ayiti, tout emete sou radyo antenet, FM 89.1 epi sou baff nan zon lan. The English language programming from the Radyo Shak is available here: Ghetto Biennale: Radyo Shak