PERFORMA 2009: A Fantastic World Superimposed on Reality: Genesis Breyer P-Orridge
As part of the Mike Kelley-curated, Marc Beasley-produced two-day noise music festival, A Fantastic World Superimposed on Reality: A Select History of Experimental Music, artist Genesis Breyer P-Orridge places the process of working with Thee Majesty alongside those with Throbbing Gristle and Pigface, among others, and recounts the audience's impact on how far s/he is willing to push live performances.
The candid and capacious conversation also touches on the early, Fluxus-influenced work with COUM Transmissions and how this led to their first experimentations with noise as well as the ways in which the transgressions expressed by her music are extensions of those explored in other media: of sexuality, habit, "high" and "low" culture, the personal and the public. S/he also provides a beautifully articulated response to what seems one of the simplest questions one can ask: What is the difference between art and life? Plus an excerpt from the Thee Majesty performance.
RELATED PROGRAMS
PERFORMA
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