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Disguise, Pt.1 : Saya Woolfalk + William Villalongo



Host Jake Nussbaum talks to artists Saya Woolfalk, William Villalongo, and curator Kevin Dumouchelle, all of whom are involved in the exhibition, Disguise: Masks and Global African Art, on display at Brooklyn Museum from April 29 - September 18, 2016. The show looks at the history of African masquerade as a source of inspiration for contemporary artists. By putting on a mask and becoming someone else, artists reveal hidden realities about society, including those of power, class, and gender, to suggest possibilities for the future. This is the first in a two-part series on the Disguise show. Saya Woolfalk holds a B.A. from Brown University and an M.F.A. from School of the Art Institute of Chicago. Her work has been shown in a number of institutions such as the Studio Museum in Harlem, MoMA PS1, and The Museum of Contemporary Art, Chicago. Her art is known for its focus on hybridity, reflecting her own background of both African and Asian heritage. William Villalongo is the recipient of the prestigious Louis Comfort Tiffany Award and the Joan Mitchell Foundation Painters & Sculptor's Grant. He holds a B.F.A. from the Cooper Union and an M.F.A. from Tyler School of Art at Temple University. His work is included in several notable collections including the Studio Museum In Harlem, The Whitney Museum of American Art, and Princeton University Art Museum. He shamelessly gathers mass cultural imagery, with a base in African-American and American history, with goal of orchestrating a conversation between history and art which could give us the progressive discussions of the future. Kevin D. Dumouchelle has overseen the Brooklyn Museum’s African and Pacific Islands collections since 2007. In 2014, he conceived and curated Double-Take: African Innovations, the Museum’s reinstallation of its remarkable African holdings. He has also curated exhibitions of both contemporary and historical African art. He has published on a range of topics, from architecture and canonical African sculpture to contemporary photography, and he has received numerous fellowships and awards. Dumouchelle earned an M.A. and M.Phil. in Art History and Archaeology from Columbia University, where he taught art history and is completing his Ph.D. He has pursued research in Morocco, Mali, and Ghana, and is the recipient of a first-class Master’s degree in history from Oxford University and a B.S. in Foreign Service from Georgetown University. This program is part of a radio series curated by Margaux Huille of 1:54 Contemporary African Art Fair. Referencing the fifty-four countries that constitute the African continent, the title of 1:54 establishes the parameters of the fair’s ethos: as a platform that strives to represent multiplicity and showcase the diversity of contemporary African art and cultural production on an international stage. 1:54 New York 2016 showcases 17 exhibitors, presenting over 60 African and African diasporan artists at Pioneer Works, 6-8 May 2016.
 

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1:54 Contemporary African Art Fair

RADIO SERIES

The New York edition of the 1:54 Contemporary African Art Fair showcases 17 exhibitors, presenting over 60 African and African diasporan artists.

Recordings of 1:54's many programs, artists, and related partners may be found on this page. 1:54 was initiated by Touria El Glaoui in 2013 in London. May 2016 marks the second edition of 1:54 New York, while 1:54 London ran its fourth consecutive year from the 5-9th of October 2016 at Somerset House.

ABOUT

A reference to the fifty-four countries that constitute the African continent, the title of 1:54 establishes the parameters of the fair’s ethos: as a platform that strives to represent multiplicity and showcase the diversity of contemporary African art and cultural production on an international stage. The 2016 1:54 Art Fair was accompanied by an educational and artistic program curated by Koyo Kouoh and includes lectures, film screenings, and panel debates featuring leading international curators, artists, and art experts.


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ValidationInterface.php SYSTEMPATH/Validation/ValidationInterface.php
RendererInterface.php SYSTEMPATH/View/RendererInterface.php
View.php SYSTEMPATH/View/View.php
ViewDecoratorTrait.php SYSTEMPATH/View/ViewDecoratorTrait.php
bootstrap.php SYSTEMPATH/bootstrap.php

Routes

Matched Route

Directory:
Controller: \App\Controllers\Show
Method: detail
Params: 1 / 1
$show = disguise-part-1-saya-woolfalk-william-villalongo

Defined Routes

Method Route Handler
GET / \App\Controllers\Home::index
GET about \App\Controllers\About::index
GET about/press \App\Controllers\About::press
GET artists \App\Controllers\Artists::index
GET person \App\Controllers\Person::index
GET
person/(.*)
person/
 \App\Controllers\Person::view/$1
GET partner \App\Controllers\Partner::index
GET
partner/(.*)
partner/
 \App\Controllers\Partner::show/$1
GET staff-and-board \App\Controllers\Staff_and_board::index
GET projects \App\Controllers\Projects::index
GET projects/exhibitions \App\Controllers\Projects::exhibitions
GET projects/events \App\Controllers\Projects::events
GET projects/residencies \App\Controllers\Projects::residencies
GET
series/(.*)
series/
 \App\Controllers\Series::show/$1
GET
event/(.*)
event/
 \App\Controllers\Event::show/$1
GET
exhibition/(.*)
exhibition/
 \App\Controllers\Exhibition::show/$1
GET
residency/(.*)
residency/
 \App\Controllers\Residency::show/$1
GET
show/(.*)
show/
 \App\Controllers\Show::detail/$1
GET radio \App\Controllers\Radio::index
GET subscribe \App\Controllers\Subscribe::index
GET donate \App\Controllers\Donate::index
GET contact-us \App\Controllers\Contact_us::index
GET artist-submission \App\Controllers\Artist_submission::index

Events

Time Event Name Times Called
0.57 ms pre_system 1
0.11 ms dbquery 11

History

Action Datetime Status Method URL Content-Type Is AJAX?
2025-04-02 13:21:22.648249 200 GET https://clocktower.org/show/disguise-part-1-saya-woolfalk-william-villalongo text/html; charset=UTF-8 No
2025-04-02 13:21:02.979167 200 GET https://clocktower.org/show/tetraphonics-lea-bertuccis-quadraphonic-cello text/html; charset=UTF-8 No
2025-04-02 13:20:51.188640 200 GET https://clocktower.org/show/your-boy-black-helmet-vol-33 text/html; charset=UTF-8 No
2025-04-02 13:20:24.944338 200 GET https://clocktower.org/show/haiti-benefit-concert-lunion-fait-force text/html; charset=UTF-8 No
2025-04-02 13:20:10.831585 200 GET https://clocktower.org/series/blank-forms text/html; charset=UTF-8 No
2025-04-02 13:19:41.908826 200 GET https://clocktower.org/show/amy-scholder-high-risk text/html; charset=UTF-8 No
2025-04-02 13:19:21.175337 200 GET https://clocktower.org/ text/html; charset=UTF-8 No
2025-04-02 13:19:20.202669 200 GET https://clocktower.org/show/brett-dakin text/html; charset=UTF-8 No
2025-04-02 13:18:53.443302 200 GET https://clocktower.org/exhibition/alex-katz-hard-days-ahead text/html; charset=UTF-8 No
2025-04-02 13:18:08.738103 200 GET https://clocktower.org/residency/james-mercer-landfill text/html; charset=UTF-8 No
2025-04-02 13:17:58.070340 200 GET https://clocktower.org/exhibition/moral-kombat-matt-mondanile-vs-g-lucas-crane text/html; charset=UTF-8 No
2025-04-02 13:17:25.827108 200 GET https://clocktower.org/radio/channel/art-unfiltered text/html; charset=UTF-8 No
2025-04-02 13:17:17.598512 200 GET https://clocktower.org/show/lavinia-co-op text/html; charset=UTF-8 No
2025-04-02 13:16:31.970051 200 GET https://clocktower.org/show/anonymous-dj-set text/html; charset=UTF-8 No
2025-04-02 13:15:43.237106 200 GET https://clocktower.org/show/warper-party-radio-wonderland text/html; charset=UTF-8 No
2025-04-02 13:15:26.474261 200 GET https://clocktower.org/show/marina-rosenfeld-mats-lindstrom text/html; charset=UTF-8 No
2025-04-02 13:15:01.661866 200 GET https://clocktower.org/show/after-hours-sky-lines-jana-hunter-peals text/html; charset=UTF-8 No
2025-04-02 13:14:52.744133 200 GET https://clocktower.org/artists text/html; charset=UTF-8 No
2025-04-02 13:14:10.468313 200 GET https://clocktower.org/show/warper-party-tsunami-bass-experience text/html; charset=UTF-8 No
2025-04-02 13:13:28.307820 200 GET https://clocktower.org/show/warper-party-no-use-for-humans-set text/html; charset=UTF-8 No

View Data
agent desktop
site
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$value[0]
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$value[0]['site_id']
⇄site_title => string (10) "Clocktower"
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⇄site_phone => string (14) "(212) 233-1096"
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⇄site_email => string (19) "info@clocktower.org"
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⇄⧉site_address => string (42) "159 Pioneer Street<br /> Brooklyn NY 11231"
$value[0]['site_address']
159 Pioneer Street<br />
Brooklyn NY 11231
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$value[0]['site_copyright']
Clocktower is a community-sponsored NY State 501(c)(3) non-profit, registered charity, and tax-exempt organization.   |    Formerly the Clocktower Gallery & artonair.org
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⇄site_startyear => string (4) "2000"
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alert
$value array (0)
social
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  • Contents (3)
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<span>Legendary conversations, rare readings, daring new bands, and avant-garde musicians, streamed and recorded in iconic arts locations througout New York City and across the globe. </span>
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show
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⇄program_title => string (52) "Disguise, Pt.1 : Saya Woolfalk + William Villalongo "
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⇄⧉program_desc => string (1047) "Host Jake Nussbaum talks to artists <strong>Saya Woolfalk</strong>, <strong>...
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Host Jake Nussbaum talks to artists <strong>Saya Woolfalk</strong>, <strong>William Villalongo</strong>, and curator <strong>Kevin Dumouchelle</strong>, all of whom are involved in the exhibition, <em>Disguise: Masks and Global African Art</em>, on display at Brooklyn Museum from April 29 - September 18, 2016. The show looks at the history of African masquerade as a source of inspiration for contemporary artists. By putting on a mask and becoming someone else, artists reveal hidden realities about society, including those of power, class, and gender, to suggest possibilities for the future. This is the first in a two-part series on the <em>Disguise</em> show. <strong>Saya Woolfalk</strong> holds a B.A. from Brown University and an M.F.A. from School of the Art Institute of Chicago. Her work has been shown in a number of institutions such as the Studio Museum in Harlem, MoMA PS1, and The Museum of Contemporary Art, Chicago. Her art is known for its focus on hybridity, reflecting her own background of both African and Asian heritage.
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Host Jake Nussbaum talks to artists <strong>Saya Woolfalk</strong>, <strong>William Villalongo</strong>, and curator <strong>Kevin Dumouchelle</strong>, all of whom are involved in the exhibition, <em>Disguise: Masks and Global African Art</em>, on display at Brooklyn Museum from April 29 - September 18, 2016. The show looks at the history of African masquerade as a source of inspiration for contemporary artists. By putting on a mask and becoming someone else, artists reveal hidden realities about society, including those of power, class, and gender, to suggest possibilities for the future. This is the first in a two-part series on the <em>Disguise</em> show. <strong>Saya Woolfalk</strong> holds a B.A. from Brown University and an M.F.A. from School of the Art Institute of Chicago. Her work has been shown in a number of institutions such as the Studio Museum in Harlem, MoMA PS1, and The Museum of Contemporary Art, Chicago. Her art is known for its focus on hybridity, reflecting her own background of both African and Asian heritage. <strong>William Villalongo</strong> is the recipient of the prestigious Louis Comfort Tiffany Award and the Joan Mitchell Foundation Painters &amp; Sculptor's Grant. He holds a B.F.A. from the Cooper Union and an M.F.A. from Tyler School of Art at Temple University. His work is included in several notable collections including the Studio Museum In Harlem, The Whitney Museum of American Art, and Princeton University Art Museum. He shamelessly gathers mass cultural imagery, with a base in African-American and American history, with goal of orchestrating a conversation between history and art which could give us the progressive discussions of the future. <strong>Kevin D. Dumouchelle</strong> has overseen the Brooklyn Museum&rsquo;s African and Pacific Islands collections since 2007. In 2014, he conceived and curated <em>Double-Take: African Innovations</em>, the Museum&rsquo;s reinstallation of its remarkable African holdings. He has also curated exhibitions of both contemporary and historical African art. He has published on a range of topics, from architecture and canonical African sculpture to contemporary photography, and he has received numerous fellowships and awards. Dumouchelle earned an M.A. and M.Phil. in Art History and Archaeology from Columbia University, where he taught art history and is completing his Ph.D. He has pursued research in Morocco, Mali, and Ghana, and is the recipient of a first-class Master&rsquo;s degree in history from Oxford University and a B.S. in Foreign Service from Georgetown University. This program is part of a radio series curated by <strong>Margaux Huille</strong> of <a href="http://1-54.com/new-york/about-154/">1:54 Contemporary African Art Fair</a>. Referencing the fifty-four countries that constitute the African continent, the title of 1:54 establishes the parameters of the fair&rsquo;s ethos: as a platform that strives to represent multiplicity and showcase the diversity of contemporary African art and cultural production on an international stage. 1:54 New York 2016 showcases 17 exhibitors, presenting over 60 African and African diasporan artists at <strong>Pioneer Works</strong>, 6-8 May 2016.
⇄program_start_date => string (19) "2016-04-18 00:00:00"
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