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Nadia Botello, Saint Shë

Saint Shë is a forty-minute musical montage produced, written and recorded by Nadia Botello in collaboration with Mattias Olsson. The 2010 work is constructed around the idea of playing the child's game of Telephone, featuring a fantastical array of gear, including mellotrons, optigan, chamberlin, assorted analog synthesizers (including Benny Andersson's Mini Moog), drum machines, stylophone, celeste, contrabass trumpet, pipe organs, children's toys and more. The secret of this piece is that it is full of secrets. Saint Shë was mixed and mastered with Brian McTear in Philadelphia, Pennsylvania (43 minutes).


Experimental Composers


The object of this series is to invite emerging and established innovators to share their work. These programs are usually a combination of an interview with a far-reaching perspective on the artist's career, some recordings illustrating this history, and something new. Open territory. The unfortunate and unintended messages that come attached to a title like Experimental Composers are many. Still it is one of the few labels to come out of the world of music that has not been co-opted by promoters, corporations, journalists, or lawyers. This one just seems to have anti-market goo on it. Hooray. It's also just bad English (as if to imply that these poor souls are themselves, in their flesh and blood, some kind of experiment and, perhaps, even expendable). And then there is the spectre of defying the wisdom of the great Edgar Varèse who said something like, "I do not write experimental music. My experimenting is done before I make the music. Afterwards it is the listener who must experiment."