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In Downtown Miami, our Focus On Puerto Rico residency program is in full swing. 

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Z'EV with Ned Sublette



Z’EV is a founder of what has come to be known as industrial music; he fabricates his own instruments; he is one of the foremost practitioners of both wild-style and mallet percussion. And on June 7, 2010, he performed a live set in the Clocktower Gallery.



Many of Z’EV's sonic soundscapes are created by the artist attuning himself to the acoustic and spiritual essences of the spaces in which he works, as he did with the Clocktower space. In this segment, he is joined by composer and musicologist Ned Sublette, who, amid excerpts from the day's performance, declaims his "post-Mamboist" theory on the life and work of his longtime friend.
 

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Clocktower Exhibits & Events

RADIO SERIES

Clocktower Exhibits & Events is home to an archive of interviews with artists, curators, musicians, organizers, and more who have participated in Clocktower exhibitions and events throughout our organization’s history.

Many of the below recordings were documented while Clocktower was in the midst of a transformation. The original name, The Clocktower Gallery, was given to the exhibition, residency, and performance space in TriBeCa, founded by alternative spaces movement pioneer Alanna Heiss in 1972. After 2001, the Clocktower Gallery re-inaugurated its exhibition programming in 2005 as part of MoMA/PS1 and, after 2008, under the auspices of Art International Radio. In 2013, we moved on from our downtown Manhattan location, and have since renamed the organization Clocktower Productions, a title which encompasses our radio, exhibition, and event programming.

For more Clocktower history, listen to The Clocktower Oral History Project, in which such figures as Vito Acconci, Bill Beirne, Colette, Jeffrey Deitch, Mary Heilmann, Jene Highstein, Ann Magnuson, Richard Nonas and Joel Shapiro reflect upon their experiences with this unique New York space. Organized by artist Nancy Hwang for the Fall 2009 AVANT-GUIDE TO NYC: Discovering Absence exhibition at apexart.


NB: Clocktower Radio was launched by MoMA/PS1 in 2004 as the Web's first art radio station. It has been independent since 2009 and is licensed to host content created under PS1 management. Programs produced prior to 2011 may refer to our earlier URLs and station IDs, including WPS1.org, artonair.org, and Art International Radio. For the complete history of Clocktower Radio, read our Mission & History section. 

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Experimental Composers

RADIO SERIES

The object of this series is to invite emerging and established innovators to share their work. These programs are usually a combination of an interview with a far-reaching perspective on the artist's career, some recordings illustrating this history, and something new. Open territory. The unfortunate and unintended messages that come attached to a title like Experimental Composers are many. Still it is one of the few labels to come out of the world of music that has not been co-opted by promoters, corporations, journalists, or lawyers. This one just seems to have anti-market goo on it. Hooray. It's also just bad English (as if to imply that these poor souls are themselves, in their flesh and blood, some kind of experiment and, perhaps, even expendable). And then there is the spectre of defying the wisdom of the great Edgar Varèse who said something like, "I do not write experimental music. My experimenting is done before I make the music. Afterwards it is the listener who must experiment."
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