Our thoughts go out to Puerto Rico during this difficult time.

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Our thoughts go out to Puerto Rico during this difficult time.

Ding: A Concert of Chimes, Bells, & Gongs

Percussionists Shayna Dunkelman, Fast Forward, Jake Nussbaum, Pat Spadine, and Tim Spelios in a 90-minute free session for metal instruments recorded live in concert at Outpost Gallery in December 2015. Trippy, funny, soothing, and deeply beautiful.

With over 100 instruments on hand, and some special chimes and handmade xylophones from David Horvitz and Skip LaPlante on loan, the five performers roamed the space freely exchanging sounds and musical messages using all. Bells, cymbals, toys, pots and pans, Tibetan bowls, a semi-truck wheel hub, a bucket of bottle caps, and some surprise interruptions, made the night.

As a kind of radio experiment, we have mixed two recordings of the event. One microphone was placed 15 feet above and the other at eye level, about 50 feet apart. The result is a time/space/sound warp, with a synchronization crossfade that meets in the middle and multiplies the magical illusion.

Recorded live in concert at Outpost Artists Resources in Ridgewood, Queens on December 22, 2015 as part of their ongoing concert series.



Experimental Composers


The object of this series is to invite emerging and established innovators to share their work. These programs are usually a combination of an interview with a far-reaching perspective on the artist's career, some recordings illustrating this history, and something new. Open territory. The unfortunate and unintended messages that come attached to a title like Experimental Composers are many. Still it is one of the few labels to come out of the world of music that has not been co-opted by promoters, corporations, journalists, or lawyers. This one just seems to have anti-market goo on it. Hooray. It's also just bad English (as if to imply that these poor souls are themselves, in their flesh and blood, some kind of experiment and, perhaps, even expendable). And then there is the spectre of defying the wisdom of the great Edgar Varèse who said something like, "I do not write experimental music. My experimenting is done before I make the music. Afterwards it is the listener who must experiment."